Update 2016-05-17T10:22:06.741Z

pull/217/head
Vladimir Lugovsky 2016-05-17 13:22:10 +03:00
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@ -83,5 +83,10 @@ npm install
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@ -94,5 +94,10 @@ To do this, add following code to some configuration block, for example to <code
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@ -103,5 +103,10 @@ This will allow you to easily switch off some pages in the future if&nbsp;needed
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@ -90,5 +90,10 @@ To do this replace theme in file <code>src/sass/theme/common.scss</code>:</p>
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@ -164,5 +164,10 @@ That means if theres a parent abstract state for some state and they both hav
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<h3>Second Group</h3>
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<li><a href="/blur-admin/articles/red-herring/">A red herring</a></li>
<li><a href="/blur-admin/articles/bamboo-cutter/">Taketori Monogatari</a></li>
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<h3>First Group</h3>
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<li><a href="/blur-admin/articles/another-test/" class="active">Code and stuff!</a></li>
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<h3>Third Group</h3>
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<li><a href="/blur-admin/articles/markdown-syntax/">Markdown syntax</a></li>
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<div class="inner-content">
<h1>Code and stuff!</h1>
<div class="subHeader"></div><p>Syntax highlighting with <a href="http://softwaremaniacs.org/soft/highlight/en/">highlight.js</a>.
The theme used is tomorrow, you can find more themes <a href="http://jmblog.github.io/color-themes-for-highlightjs/">here</a>.</p>
<p><span class="more"></span></p>
<h3 id="javascript">JavaScript</h3>
<pre><code class="lang-javascript"><span class="function"><span class="keyword">function</span> <span class="title">getRandomNumber</span>(<span class="params"></span>) </span>{
<span class="keyword">return</span> <span class="number">4</span>; <span class="comment">// chosen by fair dice roll.</span>
<span class="comment">// guaranteed to be random.</span>
}
</code></pre>
<h3 id="coffeescript">CoffeeScript</h3>
<pre><code class="lang-coffeescript"><span class="class"><span class="keyword">class</span> <span class="title">Animal</span></span>
<span class="comment">### Intellegent design ###</span>
getDNA: <span class="function">-&gt;</span>
<span class="built_in">print</span> <span class="string">'sequencing...'</span>
<span class="keyword">while</span> <span class="literal">true</span>
sleep <span class="number">1</span>
<span class="class"><span class="keyword">class</span> <span class="title">Monkey</span> <span class="keyword">extends</span> <span class="title">Animal</span></span>
speak: <span class="function">-&gt;</span>
<span class="built_in">print</span> <span class="string">'ah ah ah'</span>
<span class="class"><span class="keyword">class</span> <span class="title">Human</span> <span class="keyword">extends</span> <span class="title">Monkey</span></span>
speak: <span class="function">-&gt;</span>
<span class="built_in">print</span> [<span class="string">'yolo'</span> <span class="keyword">unless</span> i % <span class="number">3</span>] + [<span class="string">'swag'</span> <span class="keyword">unless</span> i % <span class="number">5</span>] <span class="keyword">or</span> i <span class="keyword">for</span> i <span class="keyword">in</span> [<span class="number">1.</span><span class="number">.100</span>]
</code></pre>
<h3 id="c">C</h3>
<pre><code class="lang-c"><span class="meta">#<span class="meta-keyword">include</span> <span class="meta-string">&lt;stdio.h&gt;</span></span>
<span class="function"><span class="keyword">int</span> <span class="title">main</span><span class="params">(<span class="keyword">void</span>)</span>
</span>{
<span class="built_in">printf</span>(<span class="string">"Hello world\n"</span>);
<span class="keyword">return</span> <span class="number">0</span>;
}
</code></pre>
<h3 id="c-">C++</h3>
<pre><code class="lang-cpp"><span class="meta">#<span class="meta-keyword">include</span> <span class="meta-string">&lt;iostream&gt;</span></span>
<span class="function"><span class="keyword">int</span> <span class="title">main</span><span class="params">()</span>
</span>{
<span class="built_in">std</span>::<span class="built_in">cout</span> &lt;&lt; <span class="string">"Hello World!"</span> &lt;&lt; <span class="built_in">std</span>::<span class="built_in">endl</span>;
<span class="keyword">return</span> <span class="number">0</span>;
}
</code></pre>
<h3 id="c-sharp">C-sharp</h3>
<pre><code class="lang-cs"><span class="keyword">class</span> <span class="title">ExampleClass</span>
{
<span class="function"><span class="keyword">static</span> <span class="keyword">void</span> <span class="title">Main</span>(<span class="params"></span>)
</span>{
System.Console.WriteLine(<span class="string">"Hello, world!"</span>);
}
}
</code></pre>
<h3 id="erlang">Erlang</h3>
<pre><code class="lang-erlang">io:format(<span class="string">"~s~n"</span>, [<span class="string">"hello, world"</span>])
</code></pre>
<h3 id="go">Go</h3>
<pre><code class="lang-go"><span class="keyword">package</span> main
<span class="keyword">import</span> <span class="string">"fmt"</span>
<span class="keyword">func</span> main() {
fmt.Println(<span class="string">"Hello World!"</span>)
}
</code></pre>
<h3 id="java">Java</h3>
<pre><code class="lang-java"><span class="keyword">public</span> <span class="class"><span class="keyword">class</span> <span class="title">HelloWorld</span> </span>{
<span class="function"><span class="keyword">public</span> <span class="keyword">static</span> <span class="keyword">void</span> <span class="title">main</span><span class="params">(String[] args)</span> </span>{
System.out.println(<span class="string">"Hello world!"</span>);
}
}
</code></pre>
<h3 id="objectivec">ObjectiveC</h3>
<pre><code class="lang-objectivec"><span class="meta">#import <span class="meta-string">&lt;stdio.h&gt;</span></span>
<span class="keyword">int</span> main(<span class="keyword">void</span>)
{
printf(<span class="string">"Hello, World!\n"</span>);
<span class="keyword">return</span> <span class="number">0</span>;
}
</code></pre>
<h3 id="php"><span class="caps">PHP</span></h3>
<pre><code class="lang-php"><span class="meta">&lt;?php</span> <span class="keyword">echo</span> <span class="string">'Hello, world'</span>; <span class="meta">?&gt;</span>
</code></pre>
<h3 id="python">Python</h3>
<pre><code class="lang-python">print(<span class="string">"Hello World"</span>)
</code></pre>
<h3 id="ruby">Ruby</h3>
<pre><code class="lang-ruby">puts <span class="string">"Hello world!"</span>
</code></pre>
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</ul>
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<h3>First Group</h3>
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<li><a href="/blur-admin/articles/another-test/">Code and stuff!</a></li>
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</ul>
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<h3>Third Group</h3>
<ul>
<li><a href="/blur-admin/articles/markdown-syntax/">Markdown syntax</a></li>
</ul>
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</div>
<div class="inner-content">
<h1>Taketori Monogatari</h1>
<div class="subHeader"></div><p>Long, long ago, there lived an old bamboo&nbsp;wood-cutter.</p>
<p>He was very poor and sad also, for no child had Heaven sent to cheer his old age, and in his heart there was no hope of rest from work till he died and was laid in the quiet grave. Every morning he went forth into the woods and hills wherever the bamboo reared its lithe green plumes against the sky. When he had made his choice, he would cut down these feathers of the forest, and splitting them lengthwise, or cutting them into joints, would carry the bamboo wood home and make it into various articles for the household, and he and his old wife gained a small livelihood by selling&nbsp;them.</p>
<p><span class="more"></span></p>
<p><img src="/blur-admin/articles/bamboo-cutter/taketori_monogatari.jpg" alt="Taketori Monogatari"></p>
<p>One morning as usual he had gone out to his work, and having found a nice clump of bamboos, had set to work to cut some of them down. Suddenly the green grove of bamboos was flooded with a bright soft light, as if the full moon had risen over the spot. Looking round in astonishment, he saw that the brilliance was streaming from one bamboo. The old man. full of wonder. dropped his ax and went towards the light. On nearer approach he saw that this soft splendor came from a hollow in the green bamboo stem, and still more wonderful to behold, in the midst of the brilliance stood a tiny human being, only three inches in height, and exquisitely beautiful in&nbsp;appearance.</p>
<p>“You must be sent to be my child, for I find you here among the bamboos where lies my daily work,” said the old man, and taking the little creature in his hand he took it home to his wife to bring up. The tiny girl was so exceedingly beautiful and so small, that the old woman put her into a basket to safeguard her from the least possibility of being hurt in any&nbsp;way.</p>
<p>The old couple were now very happy, for it had been a lifelong regret that they had no children of their own, and with joy they now expended all the love of their old age on the little child who had come to them in so marvelous a&nbsp;manner.</p>
<p>From this time on, the old man often found gold in the notches of the bamboos when he hewed them down and cut them up; not only gold, but precious stones also, so that by degrees he became rich. He built himself a fine house, and was no longer known as the poor bamboo woodcutter, but as a wealthy&nbsp;man.</p>
<p>Three months passed quickly away, and in that time the bamboo child had, wonderful to say, become a full-grown girl, so her foster- parents did up her hair and dressed her in beautiful kimonos. She was of such wondrous beauty that they placed her behind the screens like a princess, and allowed no one to see her, waiting upon her themselves. It seemed as if she were made of light, for the house was filled with a soft shining, so that even in the dark of night it was like daytime. Her presence seemed to have a benign influence on those there. Whenever the old man felt sad, he had only to look upon his foster-daughter and his sorrow vanished, and he became as happy as when he was a&nbsp;youth.</p>
<p>At last the day came for the naming of their new-found child, so the old couple called in a celebrated name-giver, and he gave her the name of Princess Moonlight, because her body gave forth so much soft bright light that she might have been a daughter of the Moon&nbsp;God.</p>
<p>For three days the festival was kept up with song and dance and music. All the friends and relations of the old couple were present, and great was their enjoyment of the festivities held to celebrate the naming of Princess Moonlight. Everyone who saw her declared that there never had been seen any one so lovely; all the beauties throughout the length and breadth of the land would grow pale beside her, so they said. The fame of the Princesss loveliness spread far and wide, and many were the suitors who desired to win her hand, or even so much as to see&nbsp;her.</p>
<p>Suitors from far and near posted themselves outside the house, and made little holes in the fence, in the hope of catching a glimpse of the Princess as she went from one room to the other along the veranda. They stayed there day and night, sacrificing even their sleep for a chance of seeing her, but all in vain. Then they approached the house, and tried to speak to the old man and his wife or some of the servants, but not even this was granted&nbsp;them.</p>
<p>Still, in spite of all this disappointment they stayed on day after day, and night after night, and counted it as nothing, so great was their desire to see the&nbsp;Princess.</p>
<p>At last, however, most of the men, seeing how hopeless their quest was, lost heart and hope both, and returned to their homes. All except five Knights, whose ardor and determination, instead of waning, seemed to wax greater with obstacles. These five men even went without their meals, and took snatches of whatever they could get brought to them, so that they might always stand outside the dwelling. They stood there in all weathers, in sunshine and in&nbsp;rain.</p>
<p>Sometimes they wrote letters to the Princess, but no answer was vouchsafed to them. Then when letters failed to draw any reply, they wrote poems to her telling her of the hopeless love which kept them from sleep, from food, from rest, and even from their homes. Still Princes Moonlight gave no sign of having received their&nbsp;verses.</p>
<p>In this hopeless state the winter passed. The snow and frost and the cold winds gradually gave place to the gentle warmth of spring. Then the summer came, and the sun burned white and scorching in the heavens above and on the earth beneath, and still these faithful Knights kept watch and waited. At the end of these long months they called out to the old bamboo-cutter and entreated him to have some mercy upon them and to show them the Princess, but he answered only that as he was not her real father he could not insist on her obeying him against her&nbsp;wishes.</p>
<p>The five Knights on receiving this stern answer returned to their several homes, and pondered over the best means of touching the proud Princesss heart, even so much as to grant them a hearing. They took their rosaries in hand and knelt before their household shrines, and burned precious incense, praying to Buddha to give them their hearts desire. Thus several days passed, but even so they could not rest in their&nbsp;homes.</p>
<p>So again they set out for the bamboo-cutters house. This time the old man came out to see them, and they asked him to let them know if it was the Princesss resolution never to see any man whatsoever, and they implored him to speak for them and to tell her the greatness of their love, and how long they had waited through the cold of winter and the heat of summer, sleepless and roofless through all weathers, without food and without rest, in the ardent hope of winning her, and they were willing to consider this long vigil as pleasure if she would but give them one chance of pleading their cause with&nbsp;her.</p>
<p>The old man lent a willing ear to their tale of love, for in his inmost heart he felt sorry for these faithful suitors and would have liked to see his lovely foster-daughter married to one of them. So he went in to Princess Moonlight and said&nbsp;reverently:</p>
<p>“Although you have always seemed to me to be a heavenly being, yet I have had the trouble of bringing you up as my own child and you have been glad of the protection of my roof. Will you refuse to do as I&nbsp;wish?”</p>
<p>Then Princess Moonlight replied that there was nothing she would not do for him, that she honored and loved him as her own father, and that as for herself she could not remember the time before she came to&nbsp;earth.</p>
<p>The old man listened with great joy as she spoke these dutiful words. Then he told her how anxious he was to see her safely and happily married before he&nbsp;died.</p>
<p>“I am an old man, over seventy years of age, and my end may come any time now. It is necessary and right that you should see these five suitors and choose one of&nbsp;them.”</p>
<p>“Oh, why,” said the Princess in distress, “must I do this? I have no wish to marry&nbsp;now.”</p>
<p>“I found you,” answered the old man, “many years ago, when you were a little creature three inches high, in the midst of a great white light. The light streamed from the bamboo in which you were hid and led me to you. So I have always thought that you were more than mortal woman. While I am alive it is right for you to remain as you are if you wish to do so, but some day I shall cease to be and who will take care of you then? Therefore I pray you to meet these five brave men one at a time and make up your mind to marry one of&nbsp;them!”</p>
<p>Then the Princess answered that she felt sure that she was not as beautiful as perhaps report made her out to be, and that even if she consented to marry any one of them, not really knowing her before, his heart might change afterwards. So as she did not feel sure of them, even though her father told her they were worthy Knights, she did not feel it wise to see&nbsp;them.</p>
<p>“All you say is very reasonable,” said the old man, “but what kind of men will you consent to see? I do not call these five men who have waited on you for months, light-hearted. They have stood outside this house through the winter and the summer, often denying themselves food and sleep so that they may win you. What more can you&nbsp;demand?”</p>
<p>Then Princess Moonlight said she must make further trial of their love before she would grant their request to interview her. The five warriors were to prove their love by each bringing her from distant countries something that she desired to&nbsp;possess.</p>
<p>That same evening the suitors arrived and began to play their flutes in turn, and to sing their self-composed songs telling of their great and tireless love. The bamboo-cutter went out to them and offered them his sympathy for all they had endured and all the patience they had shown in their desire to win his foster-daughter. Then he gave them her message, that she would consent to marry whosoever was successful in bringing her what she wanted. This was to test&nbsp;them.</p>
<p>The five all accepted the trial, and thought it an excellent plan, for it would prevent jealousy between&nbsp;them.</p>
<p>Princess Moonlight then sent word to the First Knight that she requested him to bring her the stone bowl which had belonged to Buddha in&nbsp;India.</p>
<p>The Second Knight was asked to go to the Mountain of Horai, said to be situated in the Eastern Sea, and to bring her a branch of the wonderful tree that grew on its summit. The roots of this tree were of silver, the trunk of gold, and the branches bore as fruit white&nbsp;jewels.</p>
<p>The Third Knight was told to go to China and search for the fire-rat and to bring her its&nbsp;skin.</p>
<p>The Fourth Knight was told to search for the dragon that carried on its head the stone radiating five colors and to bring the stone to&nbsp;her.</p>
<p>The Fifth Knight was to find the swallow which carried a shell in its stomach and to bring the shell to&nbsp;her.</p>
<p>The old man thought these very hard tasks and hesitated to carry the messages, but the Princess would make no other conditions. So her commands were issued word for word to the five men who, when they heard what was required of them, were all disheartened and disgusted at what seemed to them the impossibility of the tasks given them and returned to their own homes in&nbsp;despair.</p>
<p>But after a time, when they thought of the Princess, the love in their hearts revived for her, and they resolved to make an attempt to get what she desired of&nbsp;them.</p>
<p>The First Knight sent word to the Princess that he was starting out that day on the quest of Buddhas bowl, and he hoped soon to bring it to her. But he had not the courage to go all the way to India, for in those days traveling was very difficult and full of danger, so he went to one of the temples in Kyoto and took a stone bowl from the altar there, paying the priest a large sum of money for it. He then wrapped it in a cloth of gold and, waiting quietly for three years, returned and carried it to the old&nbsp;man.</p>
<p>Princess Moonlight wondered that the Knight should have returned so soon. She took the bowl from its gold wrapping, expecting it to make the room full of light, but it did not shine at all, so she knew that it was a sham thing and not the true bowl of Buddha. She returned it at once and refused to see him. The Knight threw the bowl away and returned to his home in despair. He gave up now all hopes of ever winning the&nbsp;Princess.</p>
<p>The Second Knight told his parents that he needed change of air for his health, for he was ashamed to tell them that love for the Princess Moonlight was the real cause of his leaving them. He then left his home, at the same time sending word to the Princess that he was setting out for Mount Horai in the hope of getting her a branch of the gold and silver tree which she so much wished to have. He only allowed his servants to accompany him half-way, and then sent them back. He reached the seashore and embarked on a small ship, and after sailing away for three days he landed and employed several carpenters to build him a house contrived in such a way that no one could get access to it. He then shut himself up with six skilled jewelers, and endeavored to make such a gold and silver branch as he thought would satisfy the Princess as having come from the wonderful tree growing on Mount Horai. Every one whom he had asked declared that Mount Horai belonged to the land of fable and not to&nbsp;fact.</p>
<p>When the branch was finished, he took his journey home and tried to make himself look as if he were wearied and worn out with travel. He put the jeweled branch into a lacquer box and carried it to the bamboo-cutter, begging him to present it to the&nbsp;Princess.</p>
<p>The old man was quite deceived by the travel-stained appearance of the Knight, and thought that he had only just returned from his long journey with the branch. So he tried to persuade the Princess to consent to see the man. But she remained silent and looked very sad. The old man began to take out the branch and praised it as a wonderful treasure to be found nowhere in the whole land. Then he spoke of the Knight, how handsome and how brave he was to have undertaken a journey to so remote a place as the Mount of&nbsp;Horai.</p>
<p>Princess Moonlight took the branch in her hand and looked at it carefully. She then told her foster-parent that she knew it was impossible for the man to have obtained a branch from the gold and silver tree growing on Mount Horai so quickly or so easily, and she was sorry to say she believed it&nbsp;artificial.</p>
<p>The old man then went out to the expectant Knight, who had now approached the house, and asked where he had found the branch. Then the man did not scruple to make up a long&nbsp;story.</p>
<p>“Two years ago I took a ship and started in search of Mount Horai. After going before the wind for some time I reached the far Eastern Sea. Then a great storm arose and I was tossed about for many days, losing all count of the points of the compass, and finally we were blown ashore on an unknown island. Here I found the place inhabited by demons who at one time threatened to kill and eat me. However, I managed to make friends with these horrible creatures, and they helped me and my sailors to repair the boat, and I set sail again. Our food gave out, and we suffered much from sickness on board. At last, on the five-hundredth day from the day of starting, I saw far off on the horizon what looked like the peak of a mountain. On nearer approach, this proved to be an island, in the center of which rose a high mountain. I landed, and after wandering about for two or three days, I saw a shining being coming towards me on the beach, holding in his hands a golden bowl. I went up to him and asked him if I had, by good chance, found the island of Mount Horai, and he&nbsp;answered:”</p>
<p>Yes, this is Mount&nbsp;Horai!’”</p>
<p>“With much difficulty I climbed to the summit, here stood the golden tree growing with silver roots in the ground. The wonders of that strange land are many, and if I began to tell you about them I could never stop. In spite of my wish to stay there long, on breaking off the branch I hurried back. With utmost speed it has taken me four hundred days to get back, and, as you see, my clothes are still damp from exposure on the long sea voyage. I have not even waited to change my raiment, so anxious was I to bring the branch to the Princess&nbsp;quickly.”</p>
<p>Just at this moment the six jewelers, who had been employed on the making of the branch, but not yet paid by the Knight, arrived at the house and sent in a petition to the Princess to be paid for their labor. They said that they had worked for over a thousand days making the branch of gold, with its silver twigs and its jeweled fruit, that was now presented to her by the Knight, but as yet they had received nothing in payment. So this Knights deception was thus found out, and the Princess, glad of an escape from one more importunate suitor, was only too pleased to send back the branch. She called in the workmen and had them paid liberally, and they went away happy. But on the way home they were overtaken by the disappointed man. who beat them till they were nearly dead, for letting out the secret, and they barely escaped with their lives. The Knight then returned home, raging in his heart; and in despair of ever winning the Princess gave up society and retired to a solitary life among the&nbsp;mountains.</p>
<p>Now the Third Knight had a friend in China, so he wrote to him to get the skin of the fire-rat. The virtue of any part of this animal was that no fire could harm it. He promised his friend any amount of money he liked to ask if only he could get him the desired article. As soon as the news came that the ship on which his friend had sailed home had come into port, he rode seven days on horseback to meet him. He handed his friend a large sum of money, and received the fire-rats skin. When he reached home he put it carefully in a box and sent it in to the Princess while he waited outside for her&nbsp;answer.</p>
<p>The bamboo-cutter took the box from the Knight and, as usual, carried it in to her and tried to coax her to see the Knight at once, but Princess Moonlight refused, saying that she must first put the skin to test by putting it into the fire. If it were the real thing it would not burn. So she took off the crape wrapper and opened the box, and then threw the skin into the fire. The skin crackled and burnt up at once, and the Princess knew that this man also had not fulfilled his word. So the Third Knight failed&nbsp;also.</p>
<p>Now the Fourth Knight was no more enterprising than the rest. Instead of starting out on the quest of the dragon bearing on its head the five-color-radiating jewel, he called all his servants together and gave them the order to seek for it far and wide in Japan and in China, and he strictly forbade any of them to return till they had found&nbsp;it.</p>
<p>His numerous retainers and servants started out in different directions, with no intention, however, of obeying what they considered an impossible order. They simply took a holiday, went to pleasant country places together, and grumbled at their masters&nbsp;unreasonableness.</p>
<p>The Knight meanwhile, thinking that his retainers could not fail to find the jewel, repaired to his house, and fitted it up beautifully for the reception of the Princess, he felt so sure of winning&nbsp;her.</p>
<p>One year passed away in weary waiting, and still his men did not return with the dragon-jewel. The Knight became desperate. He could wait no longer, so taking with him only two men he hired a ship and commanded the captain to go in search of the dragon; the captain and the sailors refused to undertake what they said was an absurd search, but the Knight compelled them at last to put out to&nbsp;sea.</p>
<p>When they had been but a few days out they encountered a great storm which lasted so long that, by the time its fury abated, the Knight had determined to give up the hunt of the dragon. They were at last blown on shore, for navigation was primitive in those days. Worn out with his travels and anxiety, the fourth suitor gave himself up to rest. He had caught a very heavy cold, and had to go to bed with a swollen&nbsp;face.</p>
<p>The governor of the place, hearing of his plight, sent messengers with a letter inviting him to his house. While he was there thinking over all his troubles, his love for the Princess turned to anger, and he blamed her for all the hardships he had undergone. He thought that it was quite probable she had wished to kill him so that she might be rid of him, and in order to carry out her wish had sent him upon his impossible&nbsp;quest.</p>
<p>At this point all the servants he had sent out to find the jewel came to see him, and were surprised to find praise instead of displeasure awaiting them. Their master told them that he was heartily sick of adventure, and said that he never intended to go near the Princesss house again in the&nbsp;future.</p>
<p>Like all the rest, the Fifth Knight failed in his questhe could not find the swallows&nbsp;shell.</p>
<p>By this time the fame of Princess Moonlights beauty had reached the ears of the Emperor, and he sent one of the Court ladies to see if she were really as lovely as report said; if so he would summon her to the Palace and make her one of the&nbsp;ladies-in-waiting.</p>
<p>When the Court lady arrived, in spite of her fathers entreaties, Princess Moonlight refused to see her. The Imperial messenger insisted, saying it was the Emperors order. Then Princess Moonlight told the old man that if she was forced to go to the Palace in obedience to the Emperors order, she would vanish from the&nbsp;earth.</p>
<p>When the Emperor was told of her persistence in refusing to obey his summons, and that if pressed to obey she would disappear altogether from sight, he determined to go and see her. So he planned to go on a hunting excursion in the neighborhood of the bamboo-cutters house, and see the Princess himself. He sent word to the old man of his intention, and he received consent to the scheme. The next day the Emperor set out with his retinue, which he soon managed to outride. He found the bamboo-cutters house and dismounted. He then entered the house and went straight to where the Princess was sitting with her attendant&nbsp;maidens.</p>
<p>Never had he seen any one so wonderfully beautiful, and he could not but look at her, for she was more lovely than any human being as she shone in her own soft radiance. When Princess Moonlight became aware that a stranger was looking at her she tried to escape from the room, but the Emperor caught her and begged her to listen to what he had to say. Her only answer was to hide her face in her&nbsp;sleeves.</p>
<p>The Emperor fell deeply in love with her, and begged her to come to the Court, where he would give her a position of honor and everything she could wish for. He was about to send for one of the Imperial palanquins to take her back with him at once, saying that her grace and beauty should adorn a Court, and not be hidden in a bamboo-cutters&nbsp;cottage.</p>
<p>But the Princess stopped him. She said that if she were forced to go to the Palace she would turn at once into a shadow, and even as she spoke she began to lose her form. Her figure faded from his sight while he&nbsp;looked.</p>
<p>The Emperor then promised to leave her free if only she would resume her former shape, which she&nbsp;did.</p>
<p>It was now time for him to return, for his retinue would be wondering what had happened to their Royal master when they missed him for so long. So be bade her good-by, and left the house with a sad heart. Princess Moonlight was for him the most beautiful woman in the world; all others were dark beside her, and he thought of her night and day. His Majesty now spent much of his time in writing poems, telling her of his love and devotion, and sent them to her, and though she refused to see him again she answered with many verses of her own composing, which told him gently and kindly that she could never marry any one on this earth. These little songs always gave him&nbsp;pleasure.</p>
<p>At this time her foster-parents noticed that night after night the Princess would sit on her balcony and gaze for hours at the moon, in a spirit of the deepest dejection, ending always in a burst of tears. One night the old man found her thus weeping as if her heart were broken, and he besought her to tell him the reason of her&nbsp;sorrow.</p>
<p>With many tears she told him that he had guessed rightly when he supposed her not to belong to this worldthat she had in truth come from the moon, and that her time on earth would soon be over. On the fifteenth day of that very month of August her friends from the moon would come to fetch her, and she would have to return. Her parents were both there, but having spent a lifetime on the earth she had forgotten them, and also the moon-world to which she belonged. It made her weep, she said, to think of leaving her kind foster- parents, and the home where she had been happy for so&nbsp;long.</p>
<p>When her attendants heard this they were very sad, and could not eat or drink for sadness at the thought that the Princess was so soon to leave&nbsp;them.</p>
<p>The Emperor, as soon as the news was carried to him, sent messengers to the house to find out if the report were true or&nbsp;not.</p>
<p>The old bamboo-cutter went out to meet the Imperial messengers. The last few days of sorrow had told upon the old man; he had aged greatly, and looked much more than his seventy years. Weeping bitterly, he told them that the report was only too true, but he intended, however, to make prisoners of the envoys from the moon, and to do all he could to prevent the Princess from being carried&nbsp;back.</p>
<p>The men returned and told His Majesty all that had passed. On the fifteenth day of that month the Emperor sent a guard of two thousand warriors to watch the house. One thousand stationed themselves on the roof, another thousand kept watch round all the entrances of the house. All were well trained archers, with bows and arrows. The bamboo-cutter and his wife hid Princess Moonlight in an inner&nbsp;room.</p>
<p>The old man gave orders that no one was to sleep that night, all in the house were to keep a strict watch, and be ready to protect the Princess. With these precautions, and the help of the Emperors men- at-arms, he hoped to withstand the moon-messengers, but the Princess told him that all these measures to keep her would be useless, and that when her people came for her nothing whatever could prevent them from carrying out their purpose. Even the Emperors men would be powerless. Then she added with tears that she was very, very sorry to leave him and his wife, whom she had learned to love as her parents, that if she could do as she liked she would stay with them in their old age, and try to make some return for all the love and kindness they had showered upon her during all her earthly&nbsp;life.</p>
<p>The night wore on! The yellow harvest moon rose high in the heavens, flooding the world asleep with her golden light. Silence reigned over the pine and the bamboo forests, and on the roof where the thousand men-at-arms&nbsp;waited.</p>
<p>Then the night grew gray towards the dawn and all hoped that the danger was overthat Princess Moonlight would not have to leave them after all. Then suddenly the watchers saw a cloud form round the moonand while they looked this cloud began to roll earthwards. Nearer and nearer it came, and every one saw with dismay that its course lay towards the&nbsp;house.</p>
<p>In a short time the sky was entirely obscured, till at last the cloud lay over the dwelling only ten feet off the ground. In the midst of the cloud there stood a flying chariot, and in the chariot a band of luminous beings. One amongst them who looked like a king and appeared to be the chief stepped out of the chariot, and, poised in air, called to the old man to come&nbsp;out.</p>
<p>“The time has come,” he said, “for Princess Moonlight to return to the moon from whence she came. She committed a grave fault, and as a punishment was sent to live down here for a time. We know what good care you have taken of the Princess, and we have rewarded you for this and have sent you wealth and prosperity. We put the gold in the bamboos for you to&nbsp;find.”</p>
<p>“I have brought up this Princess for twenty years and never once has she done a wrong thing, therefore the lady you are seeking cannot be this one,” said the old man. “I pray you to look&nbsp;elsewhere.”</p>
<p>Then the messenger called aloud,&nbsp;saying:</p>
<p>“Princess Moonlight, come out from this lowly dwelling. Rest not here another&nbsp;moment,”</p>
<p>At these words the screens of the Princesss room slid open of their own accord, revealing the Princess shining in her own radiance, bright and wonderful and full of&nbsp;beauty.</p>
<p>The messenger led her forth and placed her in the chariot. She looked back, and saw with pity the deep sorrow of the old man. She spoke to him many comforting words, and told him that it was not her will to leave him and that he must always think of her when looking at the&nbsp;moon.</p>
<p>The bamboo-cutter implored to be allowed to accompany her, but this was not allowed. The Princess took off her embroidered outer garment and gave it to him as a&nbsp;keepsake.</p>
<p>One of the moon beings in the chariot held a wonderful coat of wings, another had a phial full of the Elixir of Life which was given the Princess to drink. She swallowed a little and was about to give the rest to the old man, but she was prevented from doing&nbsp;so.</p>
<p>The robe of wings was about to be put upon her shoulders, but she&nbsp;said:</p>
<p>“Wait a little. I must not forget my good friend the Emperor. I must write him once more to say good-by while still in this human&nbsp;form.”</p>
<p>In spite of the impatience of the messengers and charioteers she kept them waiting while she wrote. She placed the phial of the Elixir of Life with the letter, and, giving them to the old man, she asked him to deliver them to the&nbsp;Emperor.</p>
<p>Then the chariot began to roll heavenwards towards the moon, and as they all gazed with tearful eyes at the receding Princess, the dawn broke, and in the rosy light of day the moon-chariot and all in it were lost amongst the fleecy clouds that were now wafted across the sky on the wings of the morning&nbsp;wind.</p>
<p>Princess Moonlights letter was carried to the Palace. His Majesty was afraid to touch the Elixir of Life, so he sent it with the letter to the top of the most sacred mountain in the land. Mount Fuji, and there the Royal emissaries burnt it on the summit at sunrise. So to this day people say there is smoke to be seen rising from the top of Mount Fuji to the&nbsp;clouds.</p>
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<h1>README</h1>
<div class="subHeader"></div><p>Welcome to your new blog! This is the default blog template with <span class="caps">RSS</span>, pagination and an archive. There are other templates available run <code>wintersmith new --help</code> to list&nbsp;them.</p>
<h2 id="_repeat-after-me-_-this-is-my-blog-there-are-many-like-it-but-this-one-is-mine-my-blog-is-my-best-friend-it-is-my-life-i-must-master-it-as-i-must-master-my-life-my-blog-without-me-is-useless-without-my-blog-i-am-useless-"><em>Repeat after me:</em> This is my blog. There are many like it, but this one is mine. My blog is my best friend. It is my life. I must master it as I must master my life. My blog, without me, is useless. Without my blog, I am&nbsp;useless.</h2>
<p>Good, now, the directory structure of your blog is as&nbsp;follows:</p>
<pre><code>├── config.json &lt;- site configuration
├── contents
│ ├── about.md
│ ├── archive.json
│ ├── articles &lt; each article has its own directory
│ │ ├── another-test
│ │ │ └── index.md
│ │ ├── bamboo-cutter
│ │ │ ├── index.md
│ │ │ └── taketori_monogatari.jpg
│ │ ├── hello-world
│ │ │ └── index.md
│ │ ├── markdown-syntax
│ │ │ └── index.md
│ │ └── red-herring
│ │ ├── banana.png
│ │ └── index.md
│ ├── authors &lt;- author metadata, check author.jade
│ │ ├── baker.json
│ │ └── the-wintersmith.json
│ ├── css
│ │ └── main.css
│ └── feed.json
├── plugins
│ └── paginator.coffee &lt;- paginator plugin
├── templates
│ ├── archive.jade
│ ├── article.jade
│ ├── author.jade
│ ├── feed.jade
│ ├── index.jade
│ └── layout.jade
└── views
└── articles.coffee &lt;- view that lists articles
</code></pre><p>Articles are sorted by date and 3 are shown per page, you can configure this and more in config.json. Check paginator.coffee for all options related to pagination, most plugins also have their own&nbsp;options.</p>
<h3 id="a-typical-article">A typical&nbsp;article</h3>
<pre><code class="lang-markdown">---
title: Hear me blog
author: johndoe
<span class="section">date: 2012-12-12 12:12
---</span>
This will be shown as the article excerpt.
<span class="section">## A h2, hr or &lt;span class="more"&gt; marks where the intro cuts off</span>
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod
tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,
quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo
consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse
cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non
proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
</code></pre>
<h2 id="links-in-the-markdown-to-other-items-in-the-content-tree-will-be-resolved-for-you-">Links in the markdown to other items in the content tree will be resolved for&nbsp;you.</h2>
<p>For example a link to <code>../bamboo-cutter/index.md</code> resolves to <a href="/blur-admin/articles/bamboo-cutter/"><code>/articles/bamboo-cutter/</code></a>.</p>
<hr>
<p>This is where I leave you to your own devices. Join <strong>#wintersmith</strong> on freenode if you have any&nbsp;questions.</p>
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<li><a href="/blur-admin/articles/markdown-syntax/" class="active">Markdown syntax</a></li>
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<div class="inner-content">
<h1>Markdown syntax</h1>
<div class="subHeader"></div><p>Full markdown syntax taken from John Grubers <a href="http://daringfireball.net/projects/markdown/syntax">Daring Fireball</a>.
Did you know that 9 out of 10 bloggers prefer to write in&nbsp;markdown?</p>
<hr>
<h1 id="markdown-syntax">Markdown:&nbsp;Syntax</h1>
<ul>
<li><a href="#overview">Overview</a><ul>
<li><a href="#philosophy">Philosophy</a></li>
<li><a href="#html">Inline&nbsp;<span class="caps">HTML</span></a></li>
<li><a href="#autoescape">Automatic Escaping for Special&nbsp;Characters</a></li>
</ul>
</li>
<li><a href="#block">Block Elements</a><ul>
<li><a href="#p">Paragraphs and Line&nbsp;Breaks</a></li>
<li><a href="#header">Headers</a></li>
<li><a href="#blockquote">Blockquotes</a></li>
<li><a href="#list">Lists</a></li>
<li><a href="#precode">Code&nbsp;Blocks</a></li>
<li><a href="#hr">Horizontal&nbsp;Rules</a></li>
</ul>
</li>
<li><a href="#span">Span Elements</a><ul>
<li><a href="#link">Links</a></li>
<li><a href="#em">Emphasis</a></li>
<li><a href="#code">Code</a></li>
<li><a href="#img">Images</a></li>
</ul>
</li>
<li><a href="#misc">Miscellaneous</a><ul>
<li><a href="#backslash">Backslash&nbsp;Escapes</a></li>
<li><a href="#autolink">Automatic&nbsp;Links</a></li>
</ul>
</li>
</ul>
<p><strong>Note:</strong> This document is itself written using Markdown; you
can <a href="/projects/markdown/syntax.text">see the source for it by adding .text to the <span class="caps">URL</span></a>.</p>
<hr>
<h2 id="overview">Overview</h2>
<h3 id="philosophy">Philosophy</h3>
<p>Markdown is intended to be as easy-to-read and easy-to-write as is&nbsp;feasible.</p>
<p>Readability, however, is emphasized above all else. A Markdown-formatted
document should be publishable as-is, as plain text, without looking
like its been marked up with tags or formatting instructions. While
Markdowns syntax has been influenced by several existing text-to-<span class="caps">HTML</span>
filters including <a href="http://docutils.sourceforge.net/mirror/setext.html">Setext</a>, <a href="http://www.aaronsw.com/2002/atx/">atx</a>, <a href="http://textism.com/tools/textile/">Textile</a>, <a href="http://docutils.sourceforge.net/rst.html">reStructuredText</a>,
<a href="http://www.triptico.com/software/grutatxt.html">Grutatext</a>, and <a href="http://ettext.taint.org/doc/">EtText</a> the single biggest source of
inspiration for Markdowns syntax is the format of plain text&nbsp;email.</p>
<p>To this end, Markdowns syntax is comprised entirely of punctuation
characters, which punctuation characters have been carefully chosen so
as to look like what they mean. E.g., asterisks around a word actually
look like *emphasis*. Markdown lists look like, well, lists. Even
blockquotes look like quoted passages of text, assuming youve ever
used&nbsp;email.</p>
<h3 id="html">Inline&nbsp;<span class="caps">HTML</span></h3>
<p>Markdowns syntax is intended for one purpose: to be used as a
format for <em>writing</em> for the&nbsp;web.</p>
<p>Markdown is not a replacement for <span class="caps">HTML</span>, or even close to it. Its
syntax is very small, corresponding only to a very small subset of
HTML tags. The idea is <em>not</em> to create a syntax that makes it easier
to insert <span class="caps">HTML</span> tags. In my opinion, HTML tags are already easy to
insert. The idea for Markdown is to make it easy to read, write, and
edit prose. HTML is a <em>publishing</em> format; Markdown is a <em>writing</em>
format. Thus, Markdowns formatting syntax only addresses issues that
can be conveyed in plain&nbsp;text.</p>
<p>For any markup that is not covered by Markdowns syntax, you simply
use <span class="caps">HTML</span> itself. Theres no need to preface it or delimit it to
indicate that youre switching from Markdown to HTML; you just use
the&nbsp;tags.</p>
<p>The only restrictions are that block-level <span class="caps">HTML</span> elements e.g. <code>&lt;div&gt;</code>,
<code>&lt;table&gt;</code>, <code>&lt;pre&gt;</code>, <code>&lt;p&gt;</code>, etc. must be separated from surrounding
content by blank lines, and the start and end tags of the block should
not be indented with tabs or spaces. Markdown is smart enough not
to add extra (unwanted) <code>&lt;p&gt;</code> tags around <span class="caps">HTML</span> block-level&nbsp;tags.</p>
<p>For example, to add an <span class="caps">HTML</span> table to a Markdown&nbsp;article:</p>
<pre><code>This is a regular paragraph.
&lt;table&gt;
&lt;tr&gt;
&lt;td&gt;Foo&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
This is another regular paragraph.
</code></pre><p>Note that Markdown formatting syntax is not processed within block-level
<span class="caps">HTML</span> tags. E.g., you cant use Markdown-style <code>*emphasis*</code> inside an
<span class="caps">HTML</span>&nbsp;block.</p>
<p>Span-level <span class="caps">HTML</span> tags e.g. <code>&lt;span&gt;</code>, <code>&lt;cite&gt;</code>, or <code>&lt;del&gt;</code> can be
used anywhere in a Markdown paragraph, list item, or header. If you
want, you can even use <span class="caps">HTML</span> tags instead of Markdown formatting; e.g. if
youd prefer to use HTML <code>&lt;a&gt;</code> or <code>&lt;img&gt;</code> tags instead of Markdowns
link or image syntax, go right&nbsp;ahead.</p>
<p>Unlike block-level <span class="caps">HTML</span> tags, Markdown syntax <em>is</em> processed within
span-level&nbsp;tags.</p>
<h3 id="autoescape">Automatic Escaping for Special&nbsp;Characters</h3>
<p>In <span class="caps">HTML</span>, there are two characters that demand special treatment: <code>&lt;</code>
and <code>&amp;</code>. Left angle brackets are used to start tags; ampersands are
used to denote <span class="caps">HTML</span> entities. If you want to use them as literal
characters, you must escape them as entities, e.g. <code>&amp;lt;</code>, and
<code>&amp;amp;</code>.</p>
<p>Ampersands in particular are bedeviling for web writers. If you want to
write about <span class="caps">AT</span>&amp;T, you need to write <code>AT&amp;amp;T</code>. You even need to
escape ampersands within URLs. Thus, if you want to link&nbsp;to:</p>
<pre><code>http://images.google.com/images?num=30&amp;q=larry+bird
</code></pre><p>you need to encode the <span class="caps">URL</span>&nbsp;as:</p>
<pre><code>http://images.google.com/images?num=30&amp;amp;q=larry+bird
</code></pre><p>in your anchor tag <code>href</code> attribute. Needless to say, this is easy to
forget, and is probably the single most common source of <span class="caps">HTML</span> validation
errors in otherwise well-marked-up web&nbsp;sites.</p>
<p>Markdown allows you to use these characters naturally, taking care of
all the necessary escaping for you. If you use an ampersand as part of
an <span class="caps">HTML</span> entity, it remains unchanged; otherwise it will be translated
into <code>&amp;amp;</code>.</p>
<p>So, if you want to include a copyright symbol in your article, you can&nbsp;write:</p>
<pre><code>&amp;copy;
</code></pre><p>and Markdown will leave it alone. But if you&nbsp;write:</p>
<pre><code>AT&amp;T
</code></pre><p>Markdown will translate it&nbsp;to:</p>
<pre><code>AT&amp;amp;T
</code></pre><p>Similarly, because Markdown supports <a href="#html">inline <span class="caps">HTML</span></a>, if you use
angle brackets as delimiters for <span class="caps">HTML</span> tags, Markdown will treat them as
such. But if you&nbsp;write:</p>
<pre><code>4 &lt; 5
</code></pre><p>Markdown will translate it&nbsp;to:</p>
<pre><code>4 &amp;lt; 5
</code></pre><p>However, inside Markdown code spans and blocks, angle brackets and
ampersands are <em>always</em> encoded automatically. This makes it easy to use
Markdown to write about <span class="caps">HTML</span> code. (As opposed to raw HTML, which is a
terrible format for writing about HTML syntax, because every single <code>&lt;</code>
and <code>&amp;</code> in your example code needs to be&nbsp;escaped.)</p>
<hr>
<h2 id="block">Block&nbsp;Elements</h2>
<h3 id="p">Paragraphs and Line&nbsp;Breaks</h3>
<p>A paragraph is simply one or more consecutive lines of text, separated
by one or more blank lines. (A blank line is any line that looks like a
blank line a line containing nothing but spaces or tabs is considered
blank.) Normal paragraphs should not be indented with spaces or&nbsp;tabs.</p>
<p>The implication of the “one or more consecutive lines of text” rule is
that Markdown supports “hard-wrapped” text paragraphs. This differs
significantly from most other text-to-<span class="caps">HTML</span> formatters (including Movable
Types “Convert Line Breaks” option) which translate every line break
character in a paragraph into a <code>&lt;br /&gt;</code> tag.</p>
<p>When you <em>do</em> want to insert a <code>&lt;br /&gt;</code> break tag using Markdown, you
end a line with two or more spaces, then type&nbsp;return.</p>
<p>Yes, this takes a tad more effort to create a <code>&lt;br /&gt;</code>, but a simplistic
“every line break is a <code>&lt;br /&gt;</code>“ rule wouldnt work for Markdown.
Markdowns email-style <a href="#blockquote">blockquoting</a> and multi-paragraph <a href="#list">list items</a>
work best and look better when you format them with hard&nbsp;breaks.</p>
<h3 id="header">Headers</h3>
<p>Markdown supports two styles of headers, <a href="http://docutils.sourceforge.net/mirror/setext.html">Setext</a> and <a href="http://www.aaronsw.com/2002/atx/">atx</a>.</p>
<p>Setext-style headers are “underlined” using equal signs (for first-level
headers) and dashes (for second-level headers). For&nbsp;example:</p>
<pre><code>This is an H1
=============
This is an H2
-------------
</code></pre><p>Any number of underlining <code>=</code>s or <code>-</code>s will&nbsp;work.</p>
<p>Atx-style headers use 1-6 hash characters at the start of the line,
corresponding to header levels 1-6. For&nbsp;example:</p>
<pre><code># This is an H1
## This is an H2
###### This is an H6
</code></pre><p>Optionally, you may “close” atx-style headers. This is purely
cosmetic you can use this if you think it looks better. The
closing hashes dont even need to match the number of hashes
used to open the header. (The number of opening hashes
determines the header level.)&nbsp;:</p>
<pre><code># This is an H1 #
## This is an H2 ##
### This is an H3 ######
</code></pre><h3 id="blockquote">Blockquotes</h3>
<p>Markdown uses email-style <code>&gt;</code> characters for blockquoting. If youre
familiar with quoting passages of text in an email message, then you
know how to create a blockquote in Markdown. It looks best if you hard
wrap the text and put a <code>&gt;</code> before every&nbsp;line:</p>
<pre><code>&gt; This is a blockquote with two paragraphs. Lorem ipsum dolor sit amet,
&gt; consectetuer adipiscing elit. Aliquam hendrerit mi posuere lectus.
&gt; Vestibulum enim wisi, viverra nec, fringilla in, laoreet vitae, risus.
&gt;
&gt; Donec sit amet nisl. Aliquam semper ipsum sit amet velit. Suspendisse
&gt; id sem consectetuer libero luctus adipiscing.
</code></pre><p>Markdown allows you to be lazy and only put the <code>&gt;</code> before the first
line of a hard-wrapped&nbsp;paragraph:</p>
<pre><code>&gt; This is a blockquote with two paragraphs. Lorem ipsum dolor sit amet,
consectetuer adipiscing elit. Aliquam hendrerit mi posuere lectus.
Vestibulum enim wisi, viverra nec, fringilla in, laoreet vitae, risus.
&gt; Donec sit amet nisl. Aliquam semper ipsum sit amet velit. Suspendisse
id sem consectetuer libero luctus adipiscing.
</code></pre><p>Blockquotes can be nested (i.e. a blockquote-in-a-blockquote) by
adding additional levels of <code>&gt;</code>:</p>
<pre><code>&gt; This is the first level of quoting.
&gt;
&gt; &gt; This is nested blockquote.
&gt;
&gt; Back to the first level.
</code></pre><p>Blockquotes can contain other Markdown elements, including headers, lists,
and code&nbsp;blocks:</p>
<blockquote>
<h2 id="this-is-a-header-">This is a&nbsp;header.</h2>
<ol>
<li>This is the first list&nbsp;item.</li>
<li>This is the second list&nbsp;item.</li>
</ol>
<p>Heres some example&nbsp;code:</p>
<pre><code>return shell_exec(&quot;echo $input | $markdown_script&quot;);
</code></pre></blockquote>
<p>Any decent text editor should make email-style quoting easy. For
example, with BBEdit, you can make a selection and choose Increase
Quote Level from the Text&nbsp;menu.</p>
<h3 id="list">Lists</h3>
<p>Markdown supports ordered (numbered) and unordered (bulleted)&nbsp;lists.</p>
<p>Unordered lists use asterisks, pluses, and hyphens interchangably
as list&nbsp;markers:</p>
<pre><code>* Red
* Green
* Blue
</code></pre><p>is equivalent&nbsp;to:</p>
<pre><code>+ Red
+ Green
+ Blue
</code></pre><p>and:</p>
<pre><code>- Red
- Green
- Blue
</code></pre><p>Ordered lists use numbers followed by&nbsp;periods:</p>
<pre><code>1. Bird
2. McHale
3. Parish
</code></pre><p>Its important to note that the actual numbers you use to mark the
list have no effect on the <span class="caps">HTML</span> output Markdown produces. The HTML
Markdown produces from the above list&nbsp;is:</p>
<pre><code>&lt;ol&gt;
&lt;li&gt;Bird&lt;/li&gt;
&lt;li&gt;McHale&lt;/li&gt;
&lt;li&gt;Parish&lt;/li&gt;
&lt;/ol&gt;
</code></pre><p>If you instead wrote the list in Markdown like&nbsp;this:</p>
<pre><code>1. Bird
1. McHale
1. Parish
</code></pre><p>or&nbsp;even:</p>
<pre><code>3. Bird
1. McHale
8. Parish
</code></pre><p>youd get the exact same <span class="caps">HTML</span> output. The point is, if you want to,
you can use ordinal numbers in your ordered Markdown lists, so that
the numbers in your source match the numbers in your published HTML.
But if you want to be lazy, you dont have&nbsp;to.</p>
<p>If you do use lazy list numbering, however, you should still start the
list with the number 1. At some point in the future, Markdown may support
starting ordered lists at an arbitrary&nbsp;number.</p>
<p>List markers typically start at the left margin, but may be indented by
up to three spaces. List markers must be followed by one or more spaces
or a&nbsp;tab.</p>
<p>To make lists look nice, you can wrap items with hanging&nbsp;indents:</p>
<pre><code>* Lorem ipsum dolor sit amet, consectetuer adipiscing elit.
Aliquam hendrerit mi posuere lectus. Vestibulum enim wisi,
viverra nec, fringilla in, laoreet vitae, risus.
* Donec sit amet nisl. Aliquam semper ipsum sit amet velit.
Suspendisse id sem consectetuer libero luctus adipiscing.
</code></pre><p>But if you want to be lazy, you dont have&nbsp;to:</p>
<pre><code>* Lorem ipsum dolor sit amet, consectetuer adipiscing elit.
Aliquam hendrerit mi posuere lectus. Vestibulum enim wisi,
viverra nec, fringilla in, laoreet vitae, risus.
* Donec sit amet nisl. Aliquam semper ipsum sit amet velit.
Suspendisse id sem consectetuer libero luctus adipiscing.
</code></pre><p>If list items are separated by blank lines, Markdown will wrap the
items in <code>&lt;p&gt;</code> tags in the <span class="caps">HTML</span> output. For example, this&nbsp;input:</p>
<pre><code>* Bird
* Magic
</code></pre><p>will turn&nbsp;into:</p>
<pre><code>&lt;ul&gt;
&lt;li&gt;Bird&lt;/li&gt;
&lt;li&gt;Magic&lt;/li&gt;
&lt;/ul&gt;
</code></pre><p>But&nbsp;this:</p>
<pre><code>* Bird
* Magic
</code></pre><p>will turn&nbsp;into:</p>
<pre><code>&lt;ul&gt;
&lt;li&gt;&lt;p&gt;Bird&lt;/p&gt;&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Magic&lt;/p&gt;&lt;/li&gt;
&lt;/ul&gt;
</code></pre><p>List items may consist of multiple paragraphs. Each subsequent
paragraph in a list item must be indented by either 4 spaces
or one&nbsp;tab:</p>
<pre><code>1. This is a list item with two paragraphs. Lorem ipsum dolor
sit amet, consectetuer adipiscing elit. Aliquam hendrerit
mi posuere lectus.
Vestibulum enim wisi, viverra nec, fringilla in, laoreet
vitae, risus. Donec sit amet nisl. Aliquam semper ipsum
sit amet velit.
2. Suspendisse id sem consectetuer libero luctus adipiscing.
</code></pre><p>It looks nice if you indent every line of the subsequent
paragraphs, but here again, Markdown will allow you to be&nbsp;lazy:</p>
<pre><code>* This is a list item with two paragraphs.
This is the second paragraph in the list item. You&#39;re
only required to indent the first line. Lorem ipsum dolor
sit amet, consectetuer adipiscing elit.
* Another item in the same list.
</code></pre><p>To put a blockquote within a list item, the blockquotes <code>&gt;</code>
delimiters need to be&nbsp;indented:</p>
<pre><code>* A list item with a blockquote:
&gt; This is a blockquote
&gt; inside a list item.
</code></pre><p>To put a code block within a list item, the code block needs
to be indented <em>twice</em> 8 spaces or two&nbsp;tabs:</p>
<pre><code>* A list item with a code block:
&lt;code goes here&gt;
</code></pre><p>Its worth noting that its possible to trigger an ordered list by
accident, by writing something like&nbsp;this:</p>
<pre><code>1986. What a great season.
</code></pre><p>In other words, a <em>number-period-space</em> sequence at the beginning of a
line. To avoid this, you can backslash-escape the&nbsp;period:</p>
<pre><code>1986\. What a great season.
</code></pre><h3 id="precode">Code&nbsp;Blocks</h3>
<p>Pre-formatted code blocks are used for writing about programming or
markup source code. Rather than forming normal paragraphs, the lines
of a code block are interpreted literally. Markdown wraps a code block
in both <code>&lt;pre&gt;</code> and <code>&lt;code&gt;</code> tags.</p>
<p>To produce a code block in Markdown, simply indent every line of the
block by at least 4 spaces or 1 tab. For example, given this&nbsp;input:</p>
<pre><code>This is a normal paragraph:
This is a code block.
</code></pre><p>Markdown will&nbsp;generate:</p>
<pre><code>&lt;p&gt;This is a normal paragraph:&lt;/p&gt;
&lt;pre&gt;&lt;code&gt;This is a code block.
&lt;/code&gt;&lt;/pre&gt;
</code></pre><p>One level of indentation 4 spaces or 1 tab is removed from each
line of the code block. For example,&nbsp;this:</p>
<pre><code>Here is an example of AppleScript:
tell application &quot;Foo&quot;
beep
end tell
</code></pre><p>will turn&nbsp;into:</p>
<pre><code>&lt;p&gt;Here is an example of AppleScript:&lt;/p&gt;
&lt;pre&gt;&lt;code&gt;tell application &quot;Foo&quot;
beep
end tell
&lt;/code&gt;&lt;/pre&gt;
</code></pre><p>A code block continues until it reaches a line that is not indented
(or the end of the&nbsp;article).</p>
<p>Within a code block, ampersands (<code>&amp;</code>) and angle brackets (<code>&lt;</code> and <code>&gt;</code>)
are automatically converted into <span class="caps">HTML</span> entities. This makes it very
easy to include example HTML source code using Markdown just paste
it and indent it, and Markdown will handle the hassle of encoding the
ampersands and angle brackets. For example,&nbsp;this:</p>
<pre><code> &lt;div class=&quot;footer&quot;&gt;
&amp;copy; 2004 Foo Corporation
&lt;/div&gt;
</code></pre><p>will turn&nbsp;into:</p>
<pre><code>&lt;pre&gt;&lt;code&gt;&amp;lt;div class=&quot;footer&quot;&amp;gt;
&amp;amp;copy; 2004 Foo Corporation
&amp;lt;/div&amp;gt;
&lt;/code&gt;&lt;/pre&gt;
</code></pre><p>Regular Markdown syntax is not processed within code blocks. E.g.,
asterisks are just literal asterisks within a code block. This means
its also easy to use Markdown to write about Markdowns own&nbsp;syntax.</p>
<h3 id="hr">Horizontal&nbsp;Rules</h3>
<p>You can produce a horizontal rule tag (<code>&lt;hr /&gt;</code>) by placing three or
more hyphens, asterisks, or underscores on a line by themselves. If you
wish, you may use spaces between the hyphens or asterisks. Each of the
following lines will produce a horizontal&nbsp;rule:</p>
<pre><code>* * *
***
*****
- - -
---------------------------------------
</code></pre><hr>
<h2 id="span">Span&nbsp;Elements</h2>
<h3 id="link">Links</h3>
<p>Markdown supports two style of links: <em>inline</em> and <em>reference</em>.</p>
<p>In both styles, the link text is delimited by [square&nbsp;brackets].</p>
<p>To create an inline link, use a set of regular parentheses immediately
after the link texts closing square bracket. Inside the parentheses,
put the <span class="caps">URL</span> where you want the link to point, along with an <em>optional</em>
title for the link, surrounded in quotes. For&nbsp;example:</p>
<pre><code>This is [an example](http://example.com/ &quot;Title&quot;) inline link.
[This link](http://example.net/) has no title attribute.
</code></pre><p>Will&nbsp;produce:</p>
<pre><code>&lt;p&gt;This is &lt;a href=&quot;http://example.com/&quot; title=&quot;Title&quot;&gt;
an example&lt;/a&gt; inline link.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://example.net/&quot;&gt;This link&lt;/a&gt; has no
title attribute.&lt;/p&gt;
</code></pre><p>If youre referring to a local resource on the same server, you can
use relative&nbsp;paths:</p>
<pre><code>See my [About](/about/) page for details.
</code></pre><p>Reference-style links use a second set of square brackets, inside
which you place a label of your choosing to identify the&nbsp;link:</p>
<pre><code>This is [an example][id] reference-style link.
</code></pre><p>You can optionally use a space to separate the sets of&nbsp;brackets:</p>
<pre><code>This is [an example] [id] reference-style link.
</code></pre><p>Then, anywhere in the document, you define your link label like this,
on a line by&nbsp;itself:</p>
<pre><code>[id]: http://example.com/ &quot;Optional Title Here&quot;
</code></pre><p>That&nbsp;is:</p>
<ul>
<li>Square brackets containing the link identifier (optionally
indented from the left margin using up to three&nbsp;spaces);</li>
<li>followed by a&nbsp;colon;</li>
<li>followed by one or more spaces (or&nbsp;tabs);</li>
<li>followed by the <span class="caps">URL</span> for the&nbsp;link;</li>
<li>optionally followed by a title attribute for the link, enclosed
in double or single quotes, or enclosed in&nbsp;parentheses.</li>
</ul>
<p>The following three link definitions are&nbsp;equivalent:</p>
<p> <a href="http://example.com/" title="Optional Title Here">foo</a>: <a href="http://example.com/">http://example.com/</a> Optional Title&nbsp;Here</p>
<p><strong>Note:</strong> There is a known bug in Markdown.pl 1.0.1 which prevents
single quotes from being used to delimit link&nbsp;titles.</p>
<p>The link <span class="caps">URL</span> may, optionally, be surrounded by angle&nbsp;brackets:</p>
<pre><code>[id]: &lt;http://example.com/&gt; &quot;Optional Title Here&quot;
</code></pre><p>You can put the title attribute on the next line and use extra spaces
or tabs for padding, which tends to look better with longer&nbsp;URLs:</p>
<pre><code>[id]: http://example.com/longish/path/to/resource/here
&quot;Optional Title Here&quot;
</code></pre><p>Link definitions are only used for creating links during Markdown
processing, and are stripped from your document in the <span class="caps">HTML</span>&nbsp;output.</p>
<p>Link definition names may consist of letters, numbers, spaces, and
punctuation but they are <em>not</em> case sensitive. E.g. these two&nbsp;links:</p>
<p> [link text][a]
[link&nbsp;text][A]</p>
<p>are&nbsp;equivalent.</p>
<p>The <em>implicit link name</em> shortcut allows you to omit the name of the
link, in which case the link text itself is used as the name.
Just use an empty set of square brackets e.g., to link the word
“Google” to the google.com web site, you could simply&nbsp;write:</p>
<p> <a href="http://google.com/">Google</a></p>
<p>And then define the&nbsp;link:</p>
<p>Because link names may contain spaces, this shortcut even works for
multiple words in the link&nbsp;text:</p>
<p> Visit <a href="http://daringfireball.net/">Daring Fireball</a> for more&nbsp;information.</p>
<p>And then define the&nbsp;link:</p>
<p>Link definitions can be placed anywhere in your Markdown document. I
tend to put them immediately after each paragraph in which theyre
used, but if you want, you can put them all at the end of your
document, sort of like&nbsp;footnotes.</p>
<p>Heres an example of reference links in&nbsp;action:</p>
<pre><code>I get 10 times more traffic from [Google] [1] than from
[Yahoo] [2] or [MSN] [3].
[1]: http://google.com/ &quot;Google&quot;
[2]: http://search.yahoo.com/ &quot;Yahoo Search&quot;
[3]: http://search.msn.com/ &quot;MSN Search&quot;
</code></pre><p>Using the implicit link name shortcut, you could instead&nbsp;write:</p>
<pre><code>I get 10 times more traffic from [Google][] than from
[Yahoo][] or [MSN][].
[google]: http://google.com/ &quot;Google&quot;
[yahoo]: http://search.yahoo.com/ &quot;Yahoo Search&quot;
[msn]: http://search.msn.com/ &quot;MSN Search&quot;
</code></pre><p>Both of the above examples will produce the following <span class="caps">HTML</span>&nbsp;output:</p>
<pre><code>&lt;p&gt;I get 10 times more traffic from &lt;a href=&quot;http://google.com/&quot;
title=&quot;Google&quot;&gt;Google&lt;/a&gt; than from
&lt;a href=&quot;http://search.yahoo.com/&quot; title=&quot;Yahoo Search&quot;&gt;Yahoo&lt;/a&gt;
or &lt;a href=&quot;http://search.msn.com/&quot; title=&quot;MSN Search&quot;&gt;MSN&lt;/a&gt;.&lt;/p&gt;
</code></pre><p>For comparison, here is the same paragraph written using
Markdowns inline link&nbsp;style:</p>
<pre><code>I get 10 times more traffic from [Google](http://google.com/ &quot;Google&quot;)
than from [Yahoo](http://search.yahoo.com/ &quot;Yahoo Search&quot;) or
[MSN](http://search.msn.com/ &quot;MSN Search&quot;).
</code></pre><p>The point of reference-style links is not that theyre easier to
write. The point is that with reference-style links, your document
source is vastly more readable. Compare the above examples: using
reference-style links, the paragraph itself is only 81 characters
long; with inline-style links, its 176 characters; and as raw <span class="caps">HTML</span>,
its 234 characters. In the raw HTML, theres more markup than there
is&nbsp;text.</p>
<p>With Markdowns reference-style links, a source document much more
closely resembles the final output, as rendered in a browser. By
allowing you to move the markup-related metadata out of the paragraph,
you can add links without interrupting the narrative flow of your&nbsp;prose.</p>
<h3 id="em">Emphasis</h3>
<p>Markdown treats asterisks (<code>*</code>) and underscores (<code>_</code>) as indicators of
emphasis. Text wrapped with one <code>*</code> or <code>_</code> will be wrapped with an
<span class="caps">HTML</span> <code>&lt;em&gt;</code> tag; double <code>*</code>s or <code>_</code>s will be wrapped with an <span class="caps">HTML</span>
<code>&lt;strong&gt;</code> tag. E.g., this&nbsp;input:</p>
<pre><code>*single asterisks*
_single underscores_
**double asterisks**
__double underscores__
</code></pre><p>will&nbsp;produce:</p>
<pre><code>&lt;em&gt;single asterisks&lt;/em&gt;
&lt;em&gt;single underscores&lt;/em&gt;
&lt;strong&gt;double asterisks&lt;/strong&gt;
&lt;strong&gt;double underscores&lt;/strong&gt;
</code></pre><p>You can use whichever style you prefer; the lone restriction is that
the same character must be used to open and close an emphasis&nbsp;span.</p>
<p>Emphasis can be used in the middle of a&nbsp;word:</p>
<pre><code>un*frigging*believable
</code></pre><p>But if you surround an <code>*</code> or <code>_</code> with spaces, itll be treated as a
literal asterisk or&nbsp;underscore.</p>
<p>To produce a literal asterisk or underscore at a position where it
would otherwise be used as an emphasis delimiter, you can backslash
escape&nbsp;it:</p>
<pre><code>\*this text is surrounded by literal asterisks\*
</code></pre><h3 id="code">Code</h3>
<p>To indicate a span of code, wrap it with backtick quotes (<code>` </code>).
Unlike a pre-formatted code block, a code span indicates code within a
normal paragraph. For&nbsp;example:</p>
<pre><code>Use the `printf()` function.
</code></pre><p>will&nbsp;produce:</p>
<pre><code>&lt;p&gt;Use the &lt;code&gt;printf()&lt;/code&gt; function.&lt;/p&gt;
</code></pre><p>To include a literal backtick character within a code span, you can use
multiple backticks as the opening and closing&nbsp;delimiters:</p>
<pre><code>``There is a literal backtick (`) here.``
</code></pre><p>which will produce&nbsp;this:</p>
<pre><code>&lt;p&gt;&lt;code&gt;There is a literal backtick (`) here.&lt;/code&gt;&lt;/p&gt;
</code></pre><p>The backtick delimiters surrounding a code span may include spaces
one after the opening, one before the closing. This allows you to place
literal backtick characters at the beginning or end of a code&nbsp;span:</p>
<p> A single backtick in a code span: <code>` </code></p>
<p> A backtick-delimited string in a code span: <code>`foo` </code></p>
<p>will&nbsp;produce:</p>
<p>A single backtick in a code span: <code>`</code></p>
<p>A backtick-delimited string in a code span: <code><code>foo</code></code></p>
<p>With a code span, ampersands and angle brackets are encoded as <span class="caps">HTML</span>
entities automatically, which makes it easy to include example HTML
tags. Markdown will turn&nbsp;this:</p>
<pre><code>Please don&#39;t use any `&lt;blink&gt;` tags.
</code></pre><p>into:</p>
<pre><code>&lt;p&gt;Please don&#39;t use any &lt;code&gt;&amp;lt;blink&amp;gt;&lt;/code&gt; tags.&lt;/p&gt;
</code></pre><p>You can write&nbsp;this:</p>
<pre><code>`&amp;#8212;` is the decimal-encoded equivalent of `&amp;mdash;`.
</code></pre><p>to&nbsp;produce:</p>
<pre><code>&lt;p&gt;&lt;code&gt;&amp;amp;#8212;&lt;/code&gt; is the decimal-encoded
equivalent of &lt;code&gt;&amp;amp;mdash;&lt;/code&gt;.&lt;/p&gt;
</code></pre><h3 id="img">Images</h3>
<p>Admittedly, its fairly difficult to devise a “natural” syntax for
placing images into a plain text document&nbsp;format.</p>
<p>Markdown uses an image syntax that is intended to resemble the syntax
for links, allowing for two styles: <em>inline</em> and <em>reference</em>.</p>
<p>Inline image syntax looks like&nbsp;this:</p>
<pre><code>![Alt text](/path/to/img.jpg)
![Alt text](/path/to/img.jpg &quot;Optional title&quot;)
</code></pre><p>That&nbsp;is:</p>
<ul>
<li>An exclamation mark: <code>!</code>;</li>
<li>followed by a set of square brackets, containing the <code>alt</code>
attribute text for the&nbsp;image;</li>
<li>followed by a set of parentheses, containing the <span class="caps">URL</span> or path to
the image, and an optional <code>title</code> attribute enclosed in double
or single&nbsp;quotes.</li>
</ul>
<p>Reference-style image syntax looks like&nbsp;this:</p>
<pre><code>![Alt text][id]
</code></pre><p>Where “id” is the name of a defined image reference. Image references
are defined using syntax identical to link&nbsp;references:</p>
<pre><code>[id]: url/to/image &quot;Optional title attribute&quot;
</code></pre><p>As of this writing, Markdown has no syntax for specifying the
dimensions of an image; if this is important to you, you can simply
use regular <span class="caps">HTML</span> <code>&lt;img&gt;</code> tags.</p>
<hr>
<h2 id="misc">Miscellaneous</h2>
<h3 id="autolink">Automatic&nbsp;Links</h3>
<p>Markdown supports a shortcut style for creating “automatic” links for URLs and email addresses: simply surround the <span class="caps">URL</span> or email address with angle brackets. What this means is that if you want to show the actual text of a URL or email address, and also have it be a clickable link, you can do&nbsp;this:</p>
<pre><code>&lt;http://example.com/&gt;
</code></pre><p>Markdown will turn this&nbsp;into:</p>
<pre><code>&lt;a href=&quot;http://example.com/&quot;&gt;http://example.com/&lt;/a&gt;
</code></pre><p>Automatic links for email addresses work similarly, except that
Markdown will also perform a bit of randomized decimal and hex
entity-encoding to help obscure your address from address-harvesting
spambots. For example, Markdown will turn&nbsp;this:</p>
<pre><code>&lt;address@example.com&gt;
</code></pre><p>into something like&nbsp;this:</p>
<pre><code>&lt;a href=&quot;&amp;#x6D;&amp;#x61;i&amp;#x6C;&amp;#x74;&amp;#x6F;:&amp;#x61;&amp;#x64;&amp;#x64;&amp;#x72;&amp;#x65;
&amp;#115;&amp;#115;&amp;#64;&amp;#101;&amp;#120;&amp;#x61;&amp;#109;&amp;#x70;&amp;#x6C;e&amp;#x2E;&amp;#99;&amp;#111;
&amp;#109;&quot;&gt;&amp;#x61;&amp;#x64;&amp;#x64;&amp;#x72;&amp;#x65;&amp;#115;&amp;#115;&amp;#64;&amp;#101;&amp;#120;&amp;#x61;
&amp;#109;&amp;#x70;&amp;#x6C;e&amp;#x2E;&amp;#99;&amp;#111;&amp;#109;&lt;/a&gt;
</code></pre><p>which will render in a browser as a clickable link to&nbsp;“address@example.com”.</p>
<p>(This sort of entity-encoding trick will indeed fool many, if not
most, address-harvesting bots, but it definitely wont fool all of
them. Its better than nothing, but an address published in this way
will probably eventually start receiving&nbsp;spam.)</p>
<h3 id="backslash">Backslash&nbsp;Escapes</h3>
<p>Markdown allows you to use backslash escapes to generate literal
characters which would otherwise have special meaning in Markdowns
formatting syntax. For example, if you wanted to surround a word
with literal asterisks (instead of an <span class="caps">HTML</span> <code>&lt;em&gt;</code> tag), you can use
backslashes before the asterisks, like&nbsp;this:</p>
<pre><code>\*literal asterisks\*
</code></pre><p>Markdown provides backslash escapes for the following&nbsp;characters:</p>
<pre><code>\ backslash
` backtick
* asterisk
_ underscore
{} curly braces
[] square brackets
() parentheses
# hash mark
</code></pre><ul>
<li>plus&nbsp;sign</li>
</ul>
<ul>
<li>minus sign (hyphen)
. dot
! exclamation&nbsp;mark</li>
</ul>
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<h1>A red herring</h1>
<div class="subHeader"></div><p>A long time ago, when the world was young someone put some food on their tongue.
They tasted the food, and thought it was nice. Most fruit liked it but bananas thought&nbsp;twice.</p>
<p><span class="more"></span></p>
<p>They held a meeting at quarter past eight.
Whilst the humans were getting home late.
They decided they didnt want to be eaten they said:
“No way, were not going to be&nbsp;beaten”.</p>
<p>So time went by, and humans got old.
Bananas got ready, for their prophets had told.
That soon shall come the dawn of war.
Where humans will rule the earth no&nbsp;more.</p>
<p>The humans knew not of the evil bananas plans.
They made their cars, guitars and aluminum cans.
And the bananas began to take over the east.
While humans knew not, and kept having their&nbsp;feast.</p>
<p>But time has run out, no more hiding there can be.
Or else the bananas will kill you and me.
We must take up arms, and fight to the end.
Because, believe it or not, a banana is not a&nbsp;friend.</p>
<p><img src="/blur-admin/articles/red-herring/banana.png" alt="a banana"></p>
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